Art Director, Photographer

Adrienn Balázs

🌿 Adry – A little backstory, a little differently

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I have been in love with images since I was a child. The old ones, the new ones, the grainy ones, the imperfect ones – each is a small journey through time. In every single one of them, there lies a momentary truth, a feeling, a story. It has always felt like a miracle to me how much a single photograph can preserve.

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My relationship with the camera first began on the other side of the lens. When I was young, I often stood in front of the camera – but it wasn't the glamour that attracted me. It showed me how vulnerable it feels to stand there... And in the process, it taught me that I can feel comfortable in my own skin, even there. I learned my boundaries, and my relationship with my body changed. I didn't want to meet someone else's expectations anymore; I wanted, finally, to connect with myself. That is how I found the woman I am today.

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And today, when I take photos, I offer this same journey to others.

This is why I am always "present" on the other side as well – I observe, I tune in, I guide when necessary, and I hold space when that is what helps. I don't just give you pictures. I give you the opportunity to truly see yourself. To get to know a part of you that perhaps even you haven't really looked at yet.

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These moments are where the real magic happens. Many people tell me: "With you, I could finally be myself in the pictures." Maybe that’s exactly why.

I bought my first camera with my very first paycheck – I didn’t know why yet, I just felt: I must. A good few years have passed since then. Today, I photograph people. Faces. Stories. Moments that someone will one day look back on, just as I did as a child with those slightly faded photos pulled from the bottom of a drawer.

Videographer, Photographer, Art Director

Gergely Balázs

🎬 Greg – Behind the moving image, there is always a message

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I have always loved to create. I played the clarinet, I cycled, I danced, I learned, I fell, and I got back up—always searching for something that would engage me, something that could express who I am. Then, because of dance, everything else in my life took a backseat.

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My body became my tool; rhythm became my language. I danced from ExperiDance all the way to the Operetta Theatre, which is where I eventually hung up my "dancing shoes." But by then, a new passion had already begun to take root.

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I started learning the art of image-making alongside a wedding photographer. Photography pulled me in. But when I met Adry, I saw the passion and the sheer persistence with which she evolved. She inspired me—and she made me realize that my path lay elsewhere.

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Photo post-processing never truly excited me—but movement did. The dynamics. The story that doesn’t stop at a single frame but lives on. That is how I found video.

Editing to music is my favorite part—that is where the emotion is born. Rhythm, movement, and sound come together to form a whole. I can spend hours finding the perfect piece of music. I will reshoot scenes until they feel complete. And yes, I love color grading too—even though it’s much more demanding on the hardware than it is for photos.

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Today, I design concepts. Lighting, editing, colors—and the message. Because a good video isn't just spectacular. It’s true. It reveals. It summarizes. It expresses.

Before every shoot, we take the time to understand our client. What do they want to say? What do they stand for? Who are they as a person? From the visual world to the narrative, we plan everything (if required), because we believe: If there is no message, the image won’t work either.

This isn’t just videography. This is storytelling. Communication. Branding. Seeing the essence.

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And you know what the best moment is? When a client watches the finished material and simply says: "This is me. This is exactly what I wanted to say. I just didn't know how."

Well, that is exactly why I do this.